have repeatedly said that there are still roles for ex-porters in various content industries, but these roles change because they now have to be facilitators, helping to make things content creators can not do on your behalf. We also noticed that there is something "direct fan" and other offerings have done is to give content creators more lever in treatment of traditional custodians. There was a time, if you were a writer for the first time, which does not have much influence. You took the small step and deal with fucking book that you are offered, in which the Editor essentially took control of their work almost entirely, leaving a small royalty if ever regain the lead. However, the Wall Street Journal recently wrote about how self-publsihed then selling ebook author Hugh Howey (which wrote the famous wool

"post-apocalyptic thriller" and sold half a million copies of e-books) Printing rights to Simon & Schuster book and film rights Ridley Scott for about $ 1 million, but could enjoying digital rights the book itself.

Here's how leverage works. It is also a recognition

where

editor can really help. Howey knows he can not sell the same ebook. n You ' need any assistance in digital production, distribution or promotion However, the physical book is a very different story to have a hard handle and distribution for the physical book has a sense edition -. and given the fact that a

need

using an editor, was able to negotiate this fairer deal. Note that other vendors offer more money for a package, but it was easy to go, knowing that it was a lot of money on their own directly with ebooks.
Wall Street Journal, which is all about the shifting balance of power, so that publishers do not hold all the cards:
Find best price for : --digital----ebook----Schuster----Simon--